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Playful shuttlecocks, tender pastel shades, seductive transparency ... Long live spring and femininity!
Dress with a flounce
Sheath Dress Model 120 of Burda 3/2016 • Jason Wu • Carolina Herrera Dries • Van Noten • Lanvin
Lush and modest, narrow and wide ... Shuttlecocks appeared in fashion a very long time ago. Today this is an ancient invention - a self-contained element that designers use as decoration for clothing. A strip of fabric, cut in a circle or spiral, will add a romantic touch to any modern look, make it gentle and feminine.
Lightweight Boucle Jacket
Short jacket model 116 A from Burda 3/2016 • Chanel • Carven • Nicole Miller • Badgley Mischka
We owe his appearance to the unique Gabriel Chanel. It was thanks to Coco that the little boucle jacket became an unrivaled classic of fashion for all time. From year to year, it undergoes constructive changes, the image as a whole changes, but at the same time it always remains recognizable and in demand.
A transparent dress
Dress with a cover model 139 B from Burda 3/2016 • Dior • CG • Carolina Herrera • Rochas
The bold trend of the upcoming season. Frankly, intriguingly, sexually. Absolute transparency balances the multi-layered image, not allowing you to cross the boundaries of decency. In addition, it is enough to make transparent only certain elements of the dress that look very elegant.
White suit
Boat Neck Blouse and Oversized Pleated Skirt from Burda 3/2016 • Dior • Hloe • Pringle • Victoria Beckham
White total look is the freshest, most feminine, sexiest decision of the new season. In white, you demonstrate that you are open to the world, new experiences and the joys of life. Models of light flowing and dense sculptural fabrics.
Checkered dress
Loose Dress • stellamaccartney • Victoria Beckham • stellamaccartney
Maxi is long, asymmetric cut lines, a chaotic arrangement of cells that don’t even think to match the print lines - this is how designers offer to deal with checkered fabric this season to be in trend.
Photo: U2 / Uli Glazeman; Imaxtree.com. Burda 3/2016
Material prepared by Julia Dekanova
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